In a Nutshell
Writer: Howard Mackie
Penciler: Jeff Matsuda
Inker: Art Thibert
Letterer: Richard Starkings & Comicraft
Colorist: Kevin Somers
Editor: Kelly Corvese
Editor-in-Chief: Bob Harras
Plot
Hey, the Oscars were Sunday!
May 1997
Writers: Todd Dezago with Brian Vaughn
Pencilers: Randy Green and Chap Yaep
Inker: Scott Hana
Letterer: Richard Starkings & Comicraft
Colorist: Mike Thomas
Editor: Mark Powers
Editor-in-Chief: Bob Harras
Gene Kendall returns again -- I guess I threatened to do this, so here we are. Having exhausted the known archives of animated G. I. Joe commercials for the Marvel series, it does make a certain amount of sense to cover the other Marvel/Hasbro collaboration of the day, those wily robots in disguise.
Girl, each time I try
I just break down and cry
Pain in my head
Oh, I'd rather be dead
Spinning around and around
Although we've come
To the end of the road
Still I can't let go
Nobody beats G. I. Joe
Over the land and deep down below
Cobra BUGGs got an eye out for Joe
Nobody beats G. I. Joe
A Real American Hero!
April 1997
Writer: Todd Dezago
Penciler: Randy Green
Inker: Scott Hana
Letterer: Richard Starkings & Comicraft
Colorist: Mike Thomas
Editor: Bob Harras
Destro's back
On the attack
Out to conquer the world on his own
But nobody beats G. I. Joe
A Real American Hero
Quick-witted and clean-cut Mason Mackay has something dark within. Struggling to accept his sinister urges, Mason must choose between those he loves and those who deserve brutal justice.
Gene Kendall here, once again acting like a hog and using a blog post to plug his projects. I've been at work for a few years now on Efficient and Divine, a small-town crime thriller series. (They're available on Kindle Unlimited, which is currently running a free trial promotion.) The first novel Almost Heaven is an origin story of sorts for Mason Mackay, a handsome documentarian who discovers a staggering capacity for violence.
Nobody beats G. I. Joe
Nobody beats G. I. Joe
Fighting hard against the Cobra foe
Nobody beats G. I. Joe
A Real American Hero!
019 - Year 4 Cover: X-Men #28
Not a lot of great covers to choose from in '66. Werner Roth's cover to Banshee's first appearance stands out due to the red background & eerie spectral quality to Banshee & the energy created by the figure's movement.
1965 X-Men Comics: X-Men #10-17, Fantastic Four Annual #3
013 - Year 3 Cover: X-Men #13
On his way out in '65 (shifting to only doing layouts & covers), Kirby turns in some of the strongest covers of his run, w/several icon entries. I like this one just a smidge more than #12, the other Juggernaut cover.